Saint Barbara

Above the portal, a tympanum in the medieval style groups the four Evangelists around Christ in glory.

The church has a double velvet banner, embellished with silk and gold threads. One is dedicated to the Blessed Virgin. The other is dedicated to Saint Barbara, the church's patron saint. At the top left, a coat of arms displays the attributes of the martyred saint: the tower, the palm and the sword. At the top right is the coat of arms of Hainaut.
At the bottom are two figures dressed as miners: Omar Degueldre, director, and Charles Demeure, engineer, carrying the church of Sainte-Barbe.

The cast-iron columns are topped with decorated capitals. They were cast in the colliery's workshops.

The harmony of the church’s interior is immediately striking. The French stone altarpieces on the three altars complement the pulpit figures and entrance tympanum. The pulpit vat is preserved in the choir. A wooden and wrought-iron communion bench enhances the ensemble and retains the building’s original character. Repeated rosette motifs on altars, bench, confessionals, Way of the Cross, and light fittings create a unified, harmonious sanctuary.

The church has a fine collection of priestly vestments in various liturgical colours. A very fine set of gold-embroidered satin and burgundy velvet from the Maison Arte-Grossé in Bruges is used every year on the feast of Saint Barbara: a chasuble and cope with orphreys in the effigy of Saint Barbara, two dalmatics, a stole-cape and a chalice veil.
Several black chasubles and copes stand out for the finesse of their embroidery. All the ornaments are in an excellent state of preservation.

The two bells were cast at the Bochum steelworks in Germany.
The larger bell, in F, was donated by the manager, Omer Degueldre. It bears the names Cécilia, Liévine and Fernand. It weighs 960 kg.
The second, in A, was donated by the Demeure family. Its names are Charles, Marie, Albert, Aliicie, Berthe and Adolphe. It weighs 460 kg.
An electrical system was installed in 1950.